Shown in discourse with the work of Donat, is a rare collection of vintage circular mirrors by Line Vautrin, focusing on variations on her favorite sun motif. Framed in explosive compositions of colored glass and hand–made resin, the convex mirrors revisit the style of 15th century miroirs de sorcière, or witch mirrors, the results of the artist’s research into mythology and alchemy. Similarly, Donat’s distinctive designs seek to express a universal language through her abstract iconographies. Their shared approach is united by a desire to push the boundaries of traditional artistry and explore the expressive potential of materials.
Donat has invited a careful grouping of creative collaborators to add to the presentation by choosing pieces from Vincenzo de Cotiis’ En Plein Air series emphasizing a playful use of light and shadow through his use of materials like semiprecious stones, Murano glass, recycled resin, and cast brass. In contrast, Roger Herman’s ceramic artworks highlight the German artist’s mastery of color and texture, with bold and expressive pieces that challenge traditional forms. Nacho Carbonell and Frederik Molenschot’s captivating light sculptures, which dynamically explore the interplay between light and material. Finally, Najla El Zein’s seminal work Hay invites the viewer to engage with the immersive experience of an otherworldly landscape. Together, these diverse artists offer a unique exploration of the creative potential of materiality and craftsmanship in contemporary art.