Complementing the ceramics are six large-scale canvases that echo the gestural and spontaneous vibrancy found in their ceramic counterparts. These paintings, alongside the ceramics, share a cohesive space within the gallery, illustrating Herman’s instinctive artistic methods developed through his experimental work with clay, kilns and glazes.
Adorning one wall of the gallery are a collection of Herman’s Mescal cups, tiny ceramic pots modelled after a jicara – a cup made from a half-dried fruit and used to drink mezcal tequila. The glazing on the pots emulates the same texture and technique seen in his larger ceramic works and paintings.
Herman, who was born in Germany and is now based in LA, is a painter and ceramicist, recognized as the West Coast parallel of the eighties neo-Expressionist movement. With works ranging from figurative to abstract, Herman’s journey reflects a commitment to pushing the boundaries of traditional mediums, evident in the unpredictable and experimental nature of his works. His focus on colour and glazing processes, as well as his dedication to embracing imperfections, resonates with broader movements in contemporary art that challenge conventional norms. As a teacher at UCLA, Herman has been a prominent figure in the artistic community, with his work featured in galleries worldwide and held in prestigious collections such as the Museum of Modern Art (MoMA).
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