The exhibition explores the multiplicities of clay: its abundance and generosity, its susceptibility to damage yet resistance to decay. To be “spoilt for choice” in clay is also to risk spoiling the work itself, compelling the artist to dig deeper for resolution. Through repeated firings and transformations, Mason finds vitality in imperfection—seeing spoil as both wreckage and treasure.
Celebrating clay’s expressive and emotive power, The Spoil Heap pays homage to the overlooked by-products of ceramic history—from industrial waste to kiln-born accidents—but Mason’s relationship with emotion, spoilage, and material isn’t sentimental; it’s alive, exploratory, embodied. In a word, flawed. It’s human. His works, he hopes, “bear the slag and clinker of experience – the patina of earth and ages.”