The veins and shades of the stone have patterns comparable to those of rosewood, creating a cohesive visual impact, underlined by the symmetrical composition and modern lines. The minimalist design of the table and the absence of ornament brings the materials to the foreground, making a sleek and refined piece.
Literature:
A. Chen, The Monacelli Press (ed.), Brazil Modern: the Rediscovery of Twentieth-century Brazilian Furniture, New York 2016, pp. 90-91.
M. C. Loschiavo Dos Santos, Bolsa de Arte (ed.), Tenreiro, Rio de Janeiro 1998, p. 84.