Going against the grain of common design practices that often seek to conceal technique in favour of aesthetics, Laforêt develops a language of deconstruction, or rather, the unveiling of construction. His functional sculptures are architecturally structured and thoughtful – designed as original arrangements of raw materials, including bronze, concrete, oak and plywood.
Laforêt’s first collection, The Mould Objects, was inspired by pre-cast concrete blocks used on construction sites. Inverse moulds were used as casts but also incorporated into the final pieces, which are created from industrial materials including concrete, aluminium, wooden shuttering and steel rebars. The designer enjoys playing on the ambiguity of these objects, whose components seem to have been gleaned from a construction site. Through refine assemblage, their cold, raw surfaces always exude a warm and sensitive atmosphere.
The more recent STUDIES series comprises works made of lacquered wood that reflect Laforêt’s experimentations with shape, scale and colour. These works embody the artist’s interest in the architecture of artificial contemporary landscapes, such as the roads and concrete buildings of sprawling urban environments.