The bullet hole image represented in this collaboration is based on my large-scale charcoal drawing Untitled (Bullet Hole in Window, January 7, 2015) (2015–2016). The piece is a statement on rampant gun violence. It was essential to acknowledge this topic, rather than to dispose of it, to scroll past it. As an artist, I feel a moral imperative, and I hope to make work that helps people to see better and to take a position.’’
‘Through making large-scale charcoal drawings of highly emotive images, I have been exploring how the intimate medium of drawing can slow down the consumption of images. I am interested in how this project provides a different approach to the intimacy in how images of my work are consumed.”
This collaboration encapsulates the ideas of fragility and hope, destruction and regeneration, darkness and light, both contained in these two arresting images of Rose and Bullet Hole.