Wonmin Park, who’s known for his deep exploration into materiality, particularly through metal and natural elements such as volcanic stone and aluminium, is exhibiting his Plain Cuts Stone #4 (2021). In this artwork, the artist combines two worlds – the natural and the man-made – as he splices a block of camouflage-toned rock with thin sheets of steel, nodding to how humankind has left an irreversible mark on the environment.
Elsewhere across the booth, a roster of chairs that incorporate natural materials are brought to the fore. Frederik Molenschot, who’s known for transforming everyday moments into robust, anthropomorphic artworks, is exhibiting his Bridge Chair Oak (2023). Chunky, bold and crafted from oak, the piece nods to the artist’s affinity for natural materials and forms. Echoing a similar sentiment is Gerrit Rietveld’s Crate Chair (1950), which was designed as an inexpensive alternative to furniture during the economic crisis of the time. Robust and square, the piece was originally produced from wood scraps derived from packing crates and offered as a self-assembly kit for those seeking a durable and accessible alternative.